Arron Stanton Training

Wednesday, December 30, 2009

Citrusy Chicken Pita Wrap

Whole-wheat pita when toasted is warm, nutty and crisp, thoroughly satisfying on a cold, snowy winter night. It recalls warm, sunny lands. The salad is simply dressed with a Trader Joe Orange Muscat Champagne Vinegar, virgin olive oil and a sprinkle of coarse kosher salt. Fresh, sliced pineapple finishes the meal.

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Tuesday, December 29, 2009

Food, Glorious Food!

This is the second meal I've prepared in the last few days. After disrupting my routines to go off to Northern Spain then visit with my sisters here at home and on a  road trip to the Southwest, reconstituting healthy routines has been a challenge! Lou Manna's book, Digitial Food Photography (Thomson, 2005), pointed me back on the right track.

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Paul Rudnick's 90% of Creativity


On this morning's The Writer's Almanac, Garrison Keillor quoted Paul Rudnick (Jeffrey, In & Out, The Stepford Wives): "As a writer, I need an enormous amount of time alone. Writing is 90 percent procrastination: reading magazines, eating cereal out of the box, watching infomercials. It's a matter of doing everything you can to avoid writing, until it is about four in the morning and you reach the point where you have to write..."

At last, someone put it in writing. There is procrastination that puts off the task at hand but in a writer that same procrastination provides him with the raw materials whence springs creative inspiration. Deadlines put our backs against the wall. Then we scrounge amongst the material procrastination yielded for what a project requires. It is a great waste of time and so necessary for us to create. If only there were a machine that churns out great stuff, be those words or images or inventions, minute after minute with no pause but then we may not experience the god-like feeling when in the midst of implacable deadness appears this tiny thing that crumbles walls and cities, demolishes worlds, betrays us to that transcendent moment of creation when we fly past hope to the momentary summit of achievement.

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Sunday, December 27, 2009

Pancit Molo after 40 years

This is not the pancit Molo I remember from Prince's Kitchenette or Fatima on Calle Real in Iloilo City but it was good. I used store-bought wonton wrappers and they worked just fine. I processed the filling in my ancient Cuisinart, a mixture of pork, shrimp, garlic and yellow onions and made stock from a whole chicken I boiled with slivers of ginger, Italian parsley and celery stalks. I found out that adding surplus filling that I dropped in half teaspoonfuls into the boiling broth made the resulting soup taste closer to what I remember. Then I added my own emendations: baby bokchoy and a few drops of sesame oil.

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The aspiration of lifetimes

Teachers say that in Buddhism once the thought arises to pursue enlightenment the very structure of mind changes. The goal may not be reached until after many lifetimes but the impetus once created never goes away again. So unlike its course in North America and Europe, Buddhism in Asia became inextricably linked with just the ordinary living of life, sometimes fun and exciting, sometimes momentously sad or monotonous, but like the dominant figure in the carpet background that most people no longer sees, the aspiration ticks away indecorously slow but always there. I remember a Tibetan shopkeeper in the village in New York City telling me how the Dharma among his people was as ordinary and unobtrusive as sunshine and rain. It is part of life; it is life. They prepare supper at night, might spend 50 years building up a trade, but in the background is this unspoken goal to seek the Ultimate and become free at last from life's vicissitudes. Unspoken because it is so taken for granted until one day the bud opens and the muddy water drips away as water drips away.

It has been thirty years since I encountered Buddhism not in the land of its birth but in my adopted country. Buddhism was a big part of my going home again, home where I had thought I never belonged. I like the simplicity of its practice, the barebones approach that depend solely on one's effort and utilizing only one's own mind and body. Anything else is excess. A cushion to sit on does help. Rituals inherently human can support the most genuine aspiration for simplicity. They create a feeling of what is sacred, recreate the awesome experience of something beyond words, beyond desire, beyond the very habits of being alive.

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Saturday, December 26, 2009

17 Seconds More of Daylight

Christmas Eve 2009

Today 17 more seconds of daylight are added to the day. We are inching our way towards summer!

Many would-be pundits declare New Year's Resolutions futile wish-fullfillment while as many others vouchsafe their effectiveness in guiding the changes we make to our lives. Some of us try to live day to day, neither in the past nor in the future, feeling grateful just for the miracle of being alive to enjoy nowness. Human nature is incontrovertible so I try to dodge its inevitableness by making a deposit of wishes and dreams in my journal or blog. When I shut down my computer, maybe the fiery forces of envy and greed might stay there in digital space, mollified by my confession of hope.

At lunch today I fell into the spell of Central Asia and its history of linking Asia and Europe through the Middle Ages. I've visited my favorite countries in Western Europe and even edged into the former East and Central Europe. I've been thinking I've satisfied my wanderlust until this new curiosity rears its head. Many days I am content to view the many faces of the unvisited earth in the people I see right here in my own backyard. If Central Asia harbored then (and still does today to a lesser extent, maybe) many peoples from different cultures, North America today is such a meeting place. At lunch I watched a Chinese family, the girls dressed in bright red silk blouses, the boys in Western gear speaking flawless American English. At another table a French couple doted on their young daughter. Over by the window a large Mexican family chatted away in mellifluous Spanish. And the food is, I imagine, as good as any you would find on a road trip through China. After all the cooks come from that once-upon-a-time unknowable Middle Kingdom, bringing to me here in Middle America their heady, exotic tastes in chicken feet and pork ears and onion rolls and chive rice-flour pillows.

There is one place and time I think no one yet has brought effectively into the fecund Western imagination. I grew up in the Philippines at the cusp between its colonial past and the technological everywhere present. I grew up when the Spanish heritage of 300 years still clung to our foods and traditions and only an idealized Americanism peppered our lives from parents who unlike the generations before them had fallen thrall to the fifty odd years of benighted American tutelage. 

The next generation, my sister's children, knew a different childhood. Their mother cooked for them without the aid of a bevy of helpers so they grew up on spaghetti and inasal nga manok from the neighborhood carinderia, not the rich cuisine at my grandmother's house. Christmas Eve has remained the same but they celebrate it now with different foods. My sister plays Pastoril at dawn masses from memory because the owner of the original music sheets is dead and took the music with her. She transposes the music two notes down so it is accessible to singers of moderate skills. As homage to the past she buys a few ounces of ham for media noche but says it is not as good as the Chinese ham of yore. She and my cousin, Daisy, split the cost of a special-ordered suckling pig lechon.

Cultures fascinate me. How people in different places and times live, how they celebrate life and make meaningful what is ultimately without meaning, the art, music, cuisines, religious rituals and family traditions that result, these have always fascinated me. Maybe I can do something with this interest, a book, a documentary?

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Wednesday, December 16, 2009

Change sometimes too fast, sometimes slow

I did another portrait shoot with Linda and her family last Monday. I've processed six images from the shoot while still having to redo processing the Banthia images I want to burn on a DVD for the parents to take to Orlando next week. This photo of Linda was taken by my Sony HD camcorder that I had set to record on its own while I took still photos with the Canon 5D. The resolution is much smaller but the effect, as Linda commented when I sent her the photo, was "complimentary to my age." I need to learn to use the sharpening commands in Photoshop to soften the effect of the bright lights I use in studio shoots. A design consultant I saw who has a degree in photography and film from IU Bloomington made a similar comment. She asked me why I was using hard lights. I had gradually started using more hard lights in my shoots, not just for the background but for the foreground. With Linda's shoot I was careful enough to use only the soft box and an umbrella-filtered light for the faces. Before the clients came I took preliminary photos using manual camera controls and was surprised at the stunning clarity but once they got here I threw caution to the air and shot pellmell. The boy was uncontrollable and finally brought the backdrop down. The soft box light kept going out. I should have checked the images on the camera LCD but didn't, an almost fatal mistake. There is so much to learn and to do.

Meanwhile yesterday I went with Arron to Elite Martial Arts where I spoke with the owner who told me he wanted a commercial to draw more people to his center. He wanted a surprisingly artistic video, with a specific look and audio background. He may need additional documentary-style videos to actually show prospective customers what it is he does at the center. I have so far only been using iMovie putting off using FCP again. It's been four years or more since I learned to use FCP in NYC!

I'd lamented at the lack of drive in my desire to create commercial photography and videos. I need the structure of deadlines to keep me at the wheel. When structure comes I feel stressed out by all that I need to do to turn out a creditable product. The lesson perhaps is learning to go with the flow, to appreciate the down times as well as the up times and make the most of what I can do and do.

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Friday, December 11, 2009

Retaking the Momentum with an iPod Nano Video

It takes so little to grow a weak flicker into a fire. The wonder of it is how infrequent I do the talk.

My client didn't show up this morning but I was at the computer early so I started messing around. Before I knew it I had learned to use the video camera on the 5th generation iPod Nano. Granted this was not a herculean task but one thing led to another. By 5:30 this afternoon, I had set up a meeting with Arron to see first-hand an MMA fight in Zionsville tomorrow evening and I'd started the confounding mysteries of using Flash. I went to Lifestyle Fitness and for the first time working out there was not as uncomfortable. Again this was no big feat. I simply used the treadmill at 4 mph while watching music videos on an HD monitor 20 feet away but as I was driving home in the dark this evening listening to a performance of Brahms's German Requiem I was feeling the creative juices bubbling inside me, a sensation that had been eluding me since I came home from the trip to Las Vegas with my sisters.

The iPod video is on my Facebook page: http://www.facebook.com/pages/Duende-Arts-Photography-Videos/194848773479?ref=search&sid=740460032.1486545904..1

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Sunday, December 6, 2009

Arron stanton 4th mma cage fight 5-9-09

I shot Arron tonight as we talked about putting up a fan website before his match in January 2010.

Finding that harvestable image

The portrait shoot with the Banthias was instructive on several levels. I used automatic camera settings all throughout, manipulating white balance and exposure post-shoot in Photoshop. I shot with manual settings with Brandon and lost so many images. Maybe with more practice I'll get better at doing manual-setting photography but maybe I've found the process that works for me in this shoot with the Banthias.

I shoot quickly, only making lighting changes when I really have to e.g. to avoid obvious, undesirable shadows. I should probably learn to be more deliberate with lighting and camera settings but when I have a model or models with me the excitement is hard to resist. I take as many shots as I can. I end up with hundreds of images that becomes a challenge to process from just the sheer number. If I set up the lights and camera settings more carefully, I'll have fewer images to review and process. Will I be missing out on images that I'll like?
This image was unplanned. I simply took advantage of the situation and hoped for the best. The women were arranging their saris when I took this photo. I should probably make it a point to let the models know that I want to take photos "behind the scenes" and set up a camera to do just this.

I shoot a lot of images because many times the image I want is an image I had not planned on getting. I direct the models into situations or poses that I think should yield the image we want but it's the spontaneous take that often yields the harvestable image.

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Sunday, November 29, 2009

New Takes on Shooting Portraits

Asha, Smriti, and Visha

The Banthias got together for Thanksgiving and chose to spend a full afternoon of their special time together posing for a family portrait with me. This was the first pro photo shoot I've done since the abortive shoot with Greg last May. Once again it restored to me full-force why I want to do photography. Capturing the visual essences of people is incomparable joy! 

In ordinary discourse we gloss over the physical presence of the people with whom we share physical space and energy. We listen to what they say and try to respond with our own expressions of self. Ordinary gatherings with other people are largely intellectual, mediated through the audible expression of our presence. Photography is unabashedly visual. When I take photographs I respond to their physical energy but the medium of capture is visual. 

The physical space in which this capture occurs is significant. One day I'll learn to take onsite images but for now the blank, white background works very well for me. Against this white space, the subjects come to life in unusual vividness of color, line and shape. Music, I've found out, is a significant component of the process of capturing personal energies. Although the still camera does not capture sound, music plays on us emotionally and influences our physical expression. We started the shoot with my choice of music—Mozart chamber music and Strauss lieder—but when we had settled down the energy took a new direction when the Banthia children brought in their choice of music—modern Ballywood dance music.

All this is probably hocus-pocus, frilly figments of imagination. Professionally one should speak about lighting and resolution, composition and color balance. I have much yet to learn about lighting but I think I am now more comfortable using the lights I have (though they are mostly intended for video capture than for still work). If I didn't have Photoshop to adjust exposure, white balance and fill light, lighting would be more complicated and manual controls not effective. The main component I can't change with processing is depth of field, which affects the clarity and blur. I left the soft box on all the time, just moving it closer or farther from the subjects. I turned on and off the three other lights. While I achieved effects that I think improved on the resulting images I forgot that hard lights cast shadows more easily than soft box.

More than ever I appreciated shadows cast on the subjects. These are the shadows I like because even with flattened lights they give dimensionality to the images. Soft light is great but it's the hardness of light that gives complexity and perhaps ultimately the drama so vital to images that touch and move us.

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Friday, November 27, 2009

The Dynamics of Zooming

Santiago de Compostela 2009

Bursting out of one's comfort zone does not take much. It can be as small as going to another part of the city I have not driven to before, or going out on a limb to make new friends, or learning about subcultures like cage-fighting or suburban living in Indianapolis. Getting extruded out of one's routines does not take much but feels like such a big deal. Maybe this is because of the sluggish, slovenly pace my life took when I decided to take a sabbatical from my active professional life. A year and a half of waking up to a day I can design as I wish inured me to listlessness instead of focus and joy. I needed to challenge my rote life.

No matter that taking initiative is often what change takes, aiming for a goal seems to me not the shaping power in change. The major changes in my life came either as corollary to what I have undertaken or, even more often, irrelevant to where I have set my goal on the horizon of possibilities. Ultimately this is my basis for hope: that what proves significant comes out of the blue, from beyond the corner of what I see. The possibilities I see are not as great as those beyond my ken, beyond me. 

Years ago an Indian moksha yogi explained to me how he saw the dynamics of mystical states. The adhika, the striver, must indeed take the first step and work his way as close as possible to the goal but all he can attain at the most is to bring himself to the cliff edge. Something else, something alien to him, must pluck him from the edge and carry him like a cloud to the other side. Again and again we bring ourselves cliffside. Many times then nothing happens. The edge begins to lose its sharpness and still nothing. Then out of the craven blue it comes and suddenly we're nowhere familiar and predictable. We've leapt without leaving the ground but our feet stand somewhere new, our eyes look with new colors and clarity, we zoom past ourselves into change.

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Wednesday, November 25, 2009

Why are you photographing me?

Judith Fox's book of photographs about her Alzheimer's-ravaged husband, I Still Do, is being published this month. 

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She spoke to Terry Gross on Fresh Air on November 19. The podcast kept me company on my walk through the dark condominium grounds tonight. The exchange between the two women provoked contemplation about my interest and work in photography.

I haven't done a photo shoot since the abortive shoot with Greg last May.

Now I am poised to resume deliberate, "serious" photography again on Friday. A friend asked me to do portraits of her family when they come together this weekend for Thanksgiving. I am excited about breaking out my professional background and lights again. I checked my two Canon cameras tonight and ascertained they were relatively dust-free, dust being a frequent bane when using older cameras with interchangeable lenses and without digital lens-cleaning systems like newer cameras have. I chose the lenses I plan on using at the shoot and after putting together my kit decided I might as well take it to the Thanksgiving dinner at Ria's tomorrow. She said she'd like it if I took photos of her and her family. 

The ebb and flow of creative activity intrigues me. A week ago I didn't know how I was going to jump-start project-working again. On Saturday, Visha and Babu came for meditation and asked if I could do her family portraits. Last Monday I had lunch with Arron and Seth and we talked about my doing a documentary of Arron's cage-fighting activities. I would shoot him training for MMA fights, lifting weights with Seth (who is acting as informal weights trainer for his roommate), his actual fights (if he can secure permission from the promoters), and interviews about his dreams and experiences. In fact last Monday as we talked I identified a topic that would be very interesting to shoot in a video. His description of what he felt before, during and after a fight was eerily similar to what I feel after vipassana meditation. I am intrigued by the possible links between intentionally violent action and the non-action in meditative absorption. At heart my interest remains what it was during my 30-year career dealing with clinical mental states. In fact the interest antedated the career. Some of us are born actors, some, like me, contemplative from the get-go.

Fox's husband, Dr. Edmund Ackell, was diagnosed with Alzheimer's just three years after the then fifty-four-year-old Fox married him. He was even then an eminent surgeon, a pilot and golfer. In ten years he lost all these abilities. Now he could barely shave himself and just months ago Fox finally moved him to a facility that could better care for his now almost totally disabling affliction. But in her interview with Gross, Fox said she started to photograph her husband after reading The Model Wife of Arthur Ollman, a book about iconic male photographers for whom their wives were both models and their muses. She wanted to photograph her own muse, her newly married husband who was then seventy years old. Ed's only question to her was, why are you photographing me? She said her husband was a modest man and he couldn't understand why she would want to take his pictures. To her he was handsome and her muse. He was 16 years older than she was and she knew the risks she was taking when she married him. As his illness progressed and he began to lose control of himself she asked him if he was okay with her showing candid images of him. He replied that she could show his soul in her photographs provided she did not show his penis!

Photography is about images captured from the relentless streaming that is life. For me, taking photographs is a special kind of looking, a creative way of seeing. A non-photographer skims through the images of his or her life, seeing what is useful to his strategy or purpose. A photographer combs through the flow of images for that one image that is somehow infused with energy, with what I dare call magic. More skilled and experienced photographers, painters, even writers, can describe what the magic is that they strive to capture with their photographs, with paint, or with words. I don't have that facility. Maybe if I did I would have a more productive time of it but I doubt it. Even these skilled, experienced artists talk about the struggle they undergo to find those sweet spots when creativity bursts out and their work sings.

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Being alive: rethinking body, mind and spirit

NPR's Morning Edition carried a story this morning this morning by Louisa Lim (In Japan, 'Herbivore' Boys Subvert Ideas Of Manhood : NPR) about Japan's 'Herbivore' Boys. Here's a CNN video featuring Japanese journalist, Maki Fukosawa, helping the interviewer recognize 'herbivore' men in the passing Tokyo crowd.

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Coincidentally, last Monday I watched cafe-fighting videos with my friends, Arron and Seth. Fight Club is alive and thriving in the Indiana hinterlands. Their ultimate goal to go pro and fight on UFC (Ultimate Fighting Championships for you that don't know), these young men fight mano a mano in a cage, no helmets, just gloves on, using whatever fight technique they know from boxing to wrestling and beyond. It is "full contact combat sport" that allows both striking and grappling technique and is said to have originated in mixed-style contests in Europe, Japan and the Pacific Rim in the early 1900s. It became mainstream after the founding of UFC in 1993.

I've never been one to spend the afternoon watching football, much less a boxing event. Bloodletting and injuries are something to be prevented not willfully invited upon one's person but chilling with Arron and Seth last Monday surprisingly intrigued me. Arron's description of how he felt before, during and after a fight strongly reminded me of how I feel after a powerful sitting. The adrenaline rush creates a similar mental state as meditative absorption! In both states ego is relegated to the background or even temporarily disabled. There is only the complete experience of physical sensations held together by a seamlessly whole awareness and time stands still.

Japan's 20- and 30-year-old men are at one end and American cage-fighters at another but they are both expressions of masculinity in search of a character. In a post-nuclear age where battles are fought not in large-scale World-War type, heavy-armor-and-machinery warfare, where politics and religion play out man to naked man, men are re-inventing the masculine experience. We have no choice. The women have changed past recognition. Many of them, like the Japanese 'carnivore' women of Furosawa, have assumed the old-time fighting stance of what we now lambently call the patriarchal age. It looks to me like the eternal seesaw, the fragile dance of Yin and Yang that must preserve the Oneness. If it grows too big here, it must yield there. Or is this more of the hocus-pocus the Communists in China abandoned after its century of humiliation at the hands of the forward-thinking round-eyes, a painful cleansing that prepared the way for that country's current surge into an economic giant confounding the West's doctrine of requisite capitalism founded on democracy?

Just when we think we know it all, the world shows another room in its many mansions of which we were totally unaware and we are spellbound again by its incomprehensibility, an unending fascination that may be at the heart of being alive itself.

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Japan's Herbivorous Men

Nothing is more constant than change but we are often focused on yesterday's change, not on change happening now. Until it becomes discernible enough to call it a name: herbivorous men. Japan's economy might be lagging despite the successful launch of HDTV and Blu-Ray disks but maybe this small social change may someday be seen to be as big as our current focus on terrorism, religious fundamentalism, global warming, and economic revisionism.

Tuesday, November 24, 2009

Art East and West

Art in Asia, Edith Hamilton writes, is based on a fundamental attitude that what the senses sense is not real, is illusory and therefore not worth studying or depicting in art. What alone matters is the imagination unfettered by the restrictions of material reality. Hence Egyptian art is focused on the life hereafter and the Hindu religious images are phantasmagoric.

In the West, the Fort Wayne native, one of the first American women intellectuals, writes, art is "the unifier of what is within and what is without." The artist studies actual representatives of the image he wants to paint, a woman, for example, and first looks for models from which he does "studies" before executing his vision of Woman. His art does not look like any of the women he has studied. She is more beautiful, or more noble, more motherly, more alluring, than the models. This is art in the western sense, according to Hamilton. It is based in the experience of the senses but the information is processed by the mind of the artist. He or she distills from the experience of the many the essence of all of them or those of them that fits the concept he or she wants to embody in art.

Hamilton's book might be dated. Her statements about Greek sculpture suggest she knew the plain, unvarnished marble as how they originally looked. She praises their simple lines, the bareness of vision (similar, by the way, to what Buddhist meditation produces, something else Hamilton was ignorant of), whereas we now believe these statues were slathered in bright, gory paint when they adorned Greek temples and public places. But what she writes holds true for much of what we still hold as true today, eighty years after the book was published. Does this make her statements and our current beliefs true? Not so, but true enough to make us listen and pay attention.

Art is only fable when based solely on imagination. It must either start from a fragment of reality, whether this be an undesired commission from someone wanting to pay us for the work or a glimpse of a vision that enthralls us for no reason, or somehow incorporate into its fabrication something impossible to ignore from our daily experience of life. It must grow organically out of the soil of our material existence. Art must spring as Pallas Athena is said to have done, full-grown from her father's thigh. Art must be coupled with our experience of the material reality on which and maybe from which life of the spirit, of the mind, of the imagination can then fashion something that in turn engages someone else's eye through his or her inner vision. 

To be genuine, art must come from the gutter, as Oscar Wilde said we all lay in: some us though while lying there are looking at the stars.

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Friday, November 20, 2009

Leisure according to the ancient Greeks

Wall Ornament, House of Cheung

Born in Asia and becoming an adult in the West I am an amalgamation of East and West. A native of the Philippines has inherent complexity. The Philippines is the cultural mongrel of Asia. His country a Spanish or North American colony for 300 years, Filipinos look Malayo-Polynesian but think and feel like a European or North American. Appearance doesn't quite jibe with what comes out when a Filipino talks about himself or his life. That I've more of my life in the U.S. than in my native land adds patina to the toss. I am an American but not your average American. I belong and not-belong. It's a conundrum that has haunted and inspired me, loaded me with cutting-edge advantage and disadvantage.

For years I've simmered in this poly-cultural stew. I came to America fleeing from a life where I felt I didn't belong. America liberated me intellectually. The mind and the life of the mind was at home here but a new force came into being. If in the Philippines I longed for a bigger sea in which to swim, in America I have that ocean of almost infinite dimensions but curiosity has transmogrified. Now I am even more curious about a visionary divide. I switch spectacles every moment or so, now looking about me as Asian-born, now as West-acculturated. That edge between fascinates me no end.

Edith Hamilton's 1930 book (republished with additional chapters in 1942), The Greek Way, added fuel to my schizoid identity. She has reminded me wherein conflict occurs and the delicious taste of my fence-straddling persona. This is an issue that only now perhaps I have the wherewithal to confront. All my working life I thought someday I would retire and then have the time to read all the books, listen to all the CDs, watch all the DVDs that I've accumulated since coming to consumerist America. I don't consider myself retired today because I can't accept the idea of sitting still and enjoying the leisure. Hamilton pointed out that the word school is akin to the ancient Greek σχολή, which according to Bill Casselman (billcasselman.com), meant "leisure time to use for learning important life insights." 

I am not retired; I am in school, closer to the Greek idea than our driven, modern experience of school. Casselman again wrote that for Aristotle, schole or leisure was not do-nothing time. It was the "most useful of times, time you set aside for your learning." He quoted Aristotle who in his Politics wrote: The first principle of all action is leisure. Both are required, but leisure is better than occupation and is its end." How true!

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Friday, November 6, 2009

Long Absence from Family Trips

Since early September I have been on the road a lot, since October 2 with family. We're on our way back to Kansas from a five-day stay in Las Vegas. While Maria attended a conference at Mandalay Bay Resort, we explore the Filipino subculture in Vegas and one day drove out to Red Rock Canyon where this photo was taken. I should be back in Indianapolis on Sunday.

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Sunday, October 25, 2009

Additions to www.duendearts.com

Brandon Butterfly

I have been quietly refining my photography and video website. Most of the additions are in the hidden sections like photos of my sisters' visit on the Family and Personal Photos page and my personal blog but I also started collating images for the Go Ahead Travel tours in the Travel section. Based on my interest and inclinations, travel images and videos have the greatest potential for earning money. I also resumed processing model images.

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Friday, October 16, 2009

Returning to work and the plan for the next two weeks

My sister and brother-in-law left on Wednesday. I re-organized the house and office yesterday and today resumed work. I am going to first process the images and video clips from their visit into a small movie and slide show on duendearts.com and Flickr. Meanwhile I want to resume doing tutorials for Photoshop and start tutorials on videomaking, for starters, Final Cut Pro. I am joining my family again October 29 to return mid-November. The remaining two weeks I have in October I plan to use to clarify my work and career goals, while also rethinking what I call my "sabbatical." This is probably too much for the time I have considering that I want to continue the repair and re-organization work on the house and garage started by Arturo. All I know is that I need to get back to working on photographs and videos, while resuming my learning curve.

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Saturday, October 10, 2009

Living with Our Schemes in Wonder and Joy

Families at Play, La Alameda, Santiago de Compostela

Many times life throws us a curveball. Things do not work out as planned or anticipated. That's just life. As Scottish bard, Robert Burns, has it:

The best laid schemes o' mice an' men
Gang aft agley,
An' lea'e us nought but grief an' pain,
For promis'd joy!

To A Mouse, on Turning Her Up in Her Nest, with the Plough
Written 1785

In modern English:

The best laid schemes of mice and men
Go often askew,
And leaves us nothing but grief and pain,
Instead of promised joy!

To live with wonder our appreciation of life comprehends both those schemes that work out as planned and those that don't. In fact, it often happens that the unplanned proves better for us than what we wanted. For desire is based on petty and fickle momentary feelings and thoughts whereas the universe of events and happenings is vaster than our three or four scores of wisdom permit us to know much less understand. The universe is really incomprehensible; that is, we are incapable by nature of possessing the knowledge and wisdom to control events and their outcome. We are tiny, finite creatures like drops of rain falling on the immense ocean of time and space that is the universe where for a moment we live and exercise consciousness and choice.

So with a little more wisdom (understood in our later years as "common sense") we grow to appreciate curve balls. We dream and plan our future but cultivate an attitude of wonder, willing and empowered by a capacity to be surprised. Living loosely and lightly we navigate the short span of our lives with immeasurable joy and delight. We acquire Burns' "promised joy."

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Thursday, October 8, 2009

Spanish art and culture in Indianapolis

How quickly the reality of the present moment overtakes memories no matter how precious they seem to us. For thirteen days we were traveling through intoxicating landscapes of verdant mountains and valleys, crystal streams, rolling farms and quaint towns of Northern Spain. Our destination was Santiago de Compostela, a medieval center of pilgrimage that even today attracts hordes of people now coming from all over the world. Traveling the highways and roadways through Navarra and Galicia we caught apparitions of staff-wielding dark-clad pilgrims, with their nylon backpacks and space-age hiking boots as the ancient routes periodically emerged from the forest and farms into the modern age.

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Friday, October 2, 2009

Travel brings out refreshingly new perspective

Cathedral Square, Santiago de Compostela

Travel away from the normative environment that we've grown blind to and we see the world with new eyes. Traveling for me is both exciting and stressful. Away from home I don't have the daily routines that comfort and inure. I go to bed and wake up at different times, to different places. As simple a change as this turns my world upside down. 

The Go Ahead Travel group to Barcelona and Northern Spain was composed of retired people, a few who still worked part-time but were for the most part retired, too. My sister was the sole person who still worked full time. When people asked me, I told them the same fable: I was on a sabbatical nearing two years. One co-traveler was a social worker therapist in New York. Merma opined: The good thing about being a psychiatrist is you can work as long as you want. She was referring to the comparatively less physical demand of working as a psychiatrist or therapist. One worked with the mind, usually comfortable sitting in a chair across from the patient or client.

For all intents I am retired. I just didn't want to acknowledge the fact. I am retired in the way I live one day after another. But I am also retired in a whole new way. I can consider other tasks and challenges being a regular member of the social-security-paying, economy-propping American citizenry I couldn't see or undertake.

One idea that struck me after I came home last Tuesday night was to look into moving my giant collection of books, DVDs, and CDs to a not-for-profit library/media center in the Philippines. I left the Philippines because I wanted access to a larger world where individual differences would be seen as valuable when the whole was seen completely. I felt odd in the small-world mentality where I grew up and lived. I stuck out and looked weird. I found the larger world in America. America is a big country but the vastness of the world humans lived, dreamt and experienced was to be discovered not in the coast-to-coast geography but in the books and media the country supported. The Fourth Estate is not just journalism and newspapers and magazines. The Fourth Estate comprises the various ways we communicate ideas. Today this is inexorably moving into the non-spatial realm of digital media and the Internet but in the 1970s when I first came I found the mind-expanding world in books and the arts and diverse cultures of the New World.

Books, digital media and the Internet are the vehicle by which I could help other Filipinos who like me don't fit in the narrow world of traditional Philippine society. I have this embarrassingly huge collection of media, too big for one man to use and digest. It can be a boon to a whole lot of other people.

The mind is a awful thing to waste, says a group encouraging educational opportunities for what used to be referred to as "Negroes" in America. I've long harped on values being central to how a person lives. I believe it is vital to the transformation our global societies require for people to have access to the total pool of history and culture that belong to us all. With this knowledge maybe we can move past sectarianism and begin to cooperate as one species inhabiting one small planet moving in a giant universe.

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Monday, September 28, 2009

Spanish food and culture, adios!

The tour of Spain, highlighting the green, mountainous north, ends today. I am flying back to the States on Delta at noon.

Travel is exhilarating. I love sampling the breads, cured meats, cheeses, and pastries of various parts of the world. Food encapsulates the culture of a country and its people, and reflects the regional experience which fascinates me no end.

Some people on the tour spoke of how they didn't like Spanish food. For me Spanish food is the dark side, the opposite side of food I knew as a child in the Philippines. I love the spices the Spanish use because they are the same as those used on the islands they once ruled.

We're in Madrid, cosmopolitan and stylish in the area around the Cybele fountain, touristy and historical around Plaza de Oro but I can understand why the early Filipino illustrados largely lived in Barcelona where art is softer and divergence from the mainstream is cultivated.

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Sunday, September 27, 2009

Trip to Northern Spain Coming to an End

This is the second hotel we've been in with free WiFi but I have not posted to the Internet except for some photos to my Flickr photo stream. This one was shot at a public park near the Old Town area of Santiago de Compostela. A co-traveler, Wil, and I took a walk the afternoon after we arrived in the pilgrimage city. I enjoy visiting tourist spots, the remarkable features of the cities we visited, but I am most interested just in seeing how people there live.

In Spain, by five or six in the afternoon, public squares, parks and pedestrian malls are full of families enjoying themselves. What a refreshing change from the States. Children run and play while their parents, often both father and mother, watched them and chatted with each other. The public spaces become Spain's giant living room.

We're flying to Madrid at noon, then back to the U.S. tomorrow.

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Wednesday, September 9, 2009

The Way Shrouded in Clouds and Mist

On the eve of my scheduled travels the next two months, these photos of my previous trips bring up even more feeling. I look at landscape images from other photographers and marvel at the quality of their images. In particular I like the vividness of the images, not so much the composition i.e. the crop they choose to make of the 360° world they are standing in. On the other hand I believe I've improved my own skills at both photography and processing the images after the shoot but the way to where I want them to be is very long, shrouded as always in clouds and mist!

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Tuesday, September 8, 2009

More than creativity to being an artist

In his 1995 book, Becoming a Chef, coauthored with his wife, Karen Page, sous chef Andrew Dornenburg wrote: "This profession requires a tremendous amount of hard work. There is more to being a chef than creativity, just as there is more than creativity to being an artist. As in any other craft, chefs must practice, practice, practice. Perfection is the only acceptable benchmark."
 
Reading this was reassuring. We have our innate, gut sense of what looks, sounds, tastes, smells or feels good but as human beings that mostly do things with their hands, art is also craft, the manipulation of objects to align with what we see in our minds and hearts.

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Monday, September 7, 2009

A serious photographer is a businessman first, an artist a distant second

Scott Bourne, interviewed by Jason Anderson on the latest Learning Digital Photography podcast, had some attention-grabbing comments. He quoted someone else saying some 99% of camera lenses are better than 98% of the photographers who use them. Humbling! He told Jason that when he did portrait and fashion photography he shot with long lenses, 400 and 500 mm babies! He said photographs in fashion magazines like Vogue are taken with long lenses for richer detail. Use side lights for maximum texture in landscapes but direct frontal light (light behind your shoulder) for shooting nature and birds. He started his photography career in the 1970s when his father who worked for an Indianapolis/Bloomington paper got him a pass to shoot pictures at the Indy 500. After doing motor racing photography, he did the usual wedding and portrait, fashion and product photography before he was lured into nature and finally avian photography. Shooting with a Canon for 17 years, he switched to Nikon D7s that focus more quickly and have less noise at high ISOs.
 
His one comment that floored: he is a businessman, not an artist. He spends 80% of his time selling his photographs (and now videos), only 20% on actually doing photography. I'm not there at all.
 
The podcast host, Jason, writes in his photography website that he has been shooting pictures for three years. His portraits are ordinary but his landscapes are very good. Like me he wants to shift from doing IT to making his photography his bread-and-butter. He is married, apparently with children.
 
I shot the photo above on my walk up the Monon Trail to 116th Street this evening. The sun came out after a rainy morning and a cloudy afternoon and the light was great. I had not walked on the Monon since I walked there with the Banthias in early August. I fall into other routines and forget how pleasant it is walking on the trail in the late afternoon when the air is cooler and the light perfect for taking pictures.

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Napa Cabbage Soup with Pepita Rice

Ah, the joy of creating a meal from refrigerator leftovers! I rather like the balls of white sushi rice studded with raw Pepita. I know I need to eat pumpkin seeds for the estrogenic effects on the prostate so any way to encourage consumption through taste sensations is welcome.

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Friday, September 4, 2009

QuickTime X versus QuickTime 7 for video compression

To finish the new website I am working on the video page before tackling the text (currently called blog) page but I didn't anticipate diving headlong into video compression. Compression, like motion and color, are the most intimidating phases of preparing a video for delivery. The videos I have completed are all large files. I worked under no file size constraints. They are too large for the iWeb software I am using. I can post them but streaming would be stringently slow.
 
So, I'm stuck here whereas I had envisioned flying through these last two sections of the website.
 
The image above shows the video display on QuickTime Player 7 and the new QuickTime X that is included in the recent Snow Leopard Mac OS upgrade. I exported the Final Cut Pro movie file as a 1280x720 video on QuickTime with an appreciably sharper and more vivid picture but the size fourfold!
 
More than ever I feel mastery of compression is the final Holy Grail of video production. This should not be! Shooting and editing should be at the heart of the beast!

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Thursday, September 3, 2009

A Second Look at Old Photo Shoots Brings Pleasant Surprises

I am excited to revisit my old photo shoots and look at the images again, processing them as I see images today. Instead of using previously processed images I am starting from scratch, and the images are surprising me. This shoot with Lenny lasted just four hours but he was such a natural that he executed pose after poses easily. Compare this with the shoots I did with Brandon. Over nine hours and I got so few usable images. Brandon has done more modeling than Lenny but he generally models for commercials and ads. There shoots are often more straight-forward and probably heavily directed. Model photography for me is a more creative process. My most successful shoots were done with little planning. The results came from the intense collaboration between the model and me.
 
The new website is live and the model portfolios are growing steadily. Pretty soon I want to weed them down although I am rethinking the concept of "portfolio." I may redesign the site and have a separate page for my best images on a separate page that I'll call 'Portfolio."
 
I want to post more videos on the video page then decide what I want to do with the blog page. What I really want is a page containing the equivalent of my writing "portfolio" - the more disciplined work I want to get into.
 
Once I am done with these, I'll continue to revise the web site but will shift my focus to doing new shoots. Before I do new shoots (unless a new shoot hits me on the head), I want to work on my shoot technique and learn additional skills in Photoshop.

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Wednesday, September 2, 2009

Nostalgia for summer not quite gone

I took this photo yesterday afternoon during my end-of-the-day walk. I love shadows. I think they give images not only depth but mystery. This is a shot of an alley beside a Chinese restaurant. The front of the restaurant is painted gold and red with plaster dragons and faux pillars.
 
Days are crystal-clear and cool, suggestive of fall that technically is not here yet. Already I feel nostalgia for summer even as it dwindles into fall. Nostalgia is okay. Any feeling is better than no feeling at all. Feelings help me identify images to composite and shoot. Isn't creativity largely feeling?

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Peter Cheung's China

Peter runs a small Chinese restaurant on a side street near busy Keystone Avenue. I stopped having lunch there ten or more years ago when I became embarrassed by his mother’s attention. Walking by the restaurant yesterday afternoon, I decided to check it out again. I had fully expected the restaurant to be gone by now. The larger, more successful Chinese Ruby closed this spring, before the economic downturn began to affect other businesses.

Peter is ebulliently friendly as always. He treats me like a long-lost brother without mentioning that I have patronized his restaurant in years. No recriminations, everything as though I had been going there all these years. I am older and Peter, too, is older. He has gray in his sideburns. His father who used to be the main cook passed away a year or so before I stopped going. His mother now stays at home.

“She walks slowly, moves slowly, but still talks fast,” he says. He spends as much time at the restaurant to get away. She is 81 years old.

Peter talked about the new China. There are 300 cities with over a million people. The people have idolized American capitalism but since the recession their adulation turned them from being disciples to leaders in their own right.

“They come to Chicago,” Peter says, “and are disappointed.” The buildings are old. In China, because they “started from scratch,” the buildings are spanking new and glitter in the newfound prosperity of abundant, cheap labor.

They have evolved a kind of communism different from that of Soviet Russia. The politburo collects information then makes decisions that affect the whole country. One size fits all. It works for the country if its economic triumph is any indication. Peter admits there is no room for protest. There is no room for the individual.

Peter himself is a product of the old China. He has been running his restaurant for decades through sheer perseverance and hard work. He told me he planned to keep working for another ten years then will retire to Hongkong. “There,” he told me, “he could hire a Filipino to do his household work at $500 a month. Your money there goes a long way.”

Unlike the new Chinese immigrant businessmen, Peter is not looking to rapidly expand his business or build a franchise. He does most of the cooking himself. He greets each customer personally, chats with each one before he seats them, and takes their payment after they finish. As I was leaving today, I told him his food is as good as it was when last I ate there. He told me he cooked Cantonese and now Sichuan. A young woman helps with cooking in the kitchen.

When I think of business, my model is similar to Peter’s. Personal touch is high on my values. Customers are treated like old friends. Like Peter I would like to be generous with freebies. Lagniappes is how I think of the most successful small-time business owners in the Philippines. After you conclude your business, they add a few more prawns to your heap while making small talk, never making a big deal of the tiny addition. Those little gifts are what the customers remember, what keep them coming back again and again. They become suki, regular patrons.

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Posting to YouTube and Vimeo

I'm finishing the new website (www.duendearts.com), creating links to my Internet sites on the home page. I've had an account with YouTube for years but never posted a video there. I think the Dubrovnik video I made in July is the best I've done. Watching it again yesterday I revisited the memories of that trip. I had not planned this video but somehow the footage I took worked really well in editing the 22-minute video.
 
YouTube has limitations for free account holders: no more than 2 GB, no longer than 10 minutes. I couldn't upload the video. As I get back to editing videos I have to consider the YouTube limitations. Vimeo has a .5 GB weekly limit and only standard, not high defintion, Vimeo Plus 5 GB with a limit of 1 GB per file. I knew short videos are more effective (I've seen enough director commentaries on DVD to see how feature movies are edited down and down, often eliminating the director's favorite clips all in the interest of creating a more powerful movie) but ignored caution. If I want to post my videos they'll need to conform to these requirements.

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Nostalgia for summer not yet gone

I took this photo yesterday afternoon during my end-of-the-day walk. I love shadows. I think they give images not only depth but mystery. This is a shot of an alley beside a Chinese restaurant. The front of the restaurant is painted gold and red with plaster dragons and faux pillars.
 
Days are crystal-clear and cool, suggestive of fall that technically is not here yet. Already I feel nostalgia for summer even as it dwindles into fall. Nostalgia is okay. Any feeling is better than no feeling at all. Feelings help me identify images to composite and shoot. Isn't creativity largely feeling?

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Tuesday, September 1, 2009

Moving from documentary to emotional and artistic impact

A year and a half into my learning sabbatical and I see the progress I've made not only in the craft of taking and processing photographs. I also see the weaknesses in my work more clearly.

While driving to the Final Cut Pro Users Group meeting a week ago, I had a comforting insight. The time and money I am using to learn the new craft in graphic and video production is what a young person would be spending going to college. The main difference: I don't have as much time as that young person. What I do have is perhaps a clearer vision of where I want to go, and maybe a dose or two of maturity or common sense.

I have my doubts about the clear vision. I had another insight, this time at the meeting itself while the group leader described his experience making an HD video with the Canon D5 Mark II. I've ruled out narrative video features and thought documentaries were what I wanted to shoot for. Documentaries are easier to do with no experience and no money to hire writers and actors and I enjoy watching documentaries, especially travel and history documentaries. But most documentaries are ho-hum. I want my work not just to document experience but to move the viewer either emotionally or artistically. 

I've had no prior experience in artistic movement, only some experience in creating emotional movement but this in a totally different field and for different objectives. I want to move people emotionally so they can have insights into themselves or their lives with impact considerably more powerful and effective than the clinical insight patients get in psychotherapy. I want impact that strikes below the belt, under the skin, beneath the surface of consciousness. This would mean impact more appropriately classed under art. Intellectual insight is too frail. When it comes, it swims on the surface of thought and hardly dives deep enough to change the ocean bottom where the reside the structures that shape most of our lives.

I don't make as much progress as I wish I could make in part because I am torn between learning the technical craft of software and the craft of artistic creation. I need to focus on learning more creative ways of compositing and processing images, while spending some part of my daily schedule continuing to learn the software and shooting technology.

Last Tuesday I thought I should go back to the idea of learning to create effective commercial images and videos. I am not interested in doing weddings or events photography. If I want to make money by early next year, I need to revive my aspirations for commercials and corporate videos. To reach that goal I shall need to shoot and process more videos. It’s this simple when you’re at the very bottom rung of the ladder that you want to climb.

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My first homemade pizza margherita

Visha did the honors of rolling out the pizza dough that I had prepared Sunday morning for a successful launch of my home pizza-making enterprise. The crust was heavenly—thin and nutty, the filling of Mozarella, tomatoes, and fresh basil leaves just right. We ate it hot out of the oven, with a salad of fresh greens from the deck garden with a simple balsamic vinegar-olive oil dressing.
 
Yesterday I rolled out my own pizza, this time adding strips of Prosciutto and more fresh chili. I overloaded it with seeded tomato, even adding a few Kalamata olives. It was not as good. Sunday's pizza was thinner like Neapolitan pizzas. I ignored everyone I consulted who urged a thin crust for the best Margherita and rued my disobedience. The center of my pizza was thick, like bread, or, I guess, like Sicilian pizza and I missed the crunch and flavor of Sunday's pizza.

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Saturday, August 29, 2009

The Amish and a more genuine simplicity

Thirty years ago when I still drove around getting to know the country I stopped by Lancaster County in Pennsylvania to see how the Old Order Amish lived. Solid-color buggies with the color-glow orange caution symbol in the back, men, women, girls and boys all dressed alike in solid blue, gray and purple clothes, small, tidy farms and the lack of modern-day rush and clutter: there was a simplicity that bespoke bygone times of unadulterated joy.

Last night, reading Bob Brooke's The Amish Country for American Traveler ($1 at Half Price Books) reminded me why I was interested in the Amish. I probably would not have survived in an Anabaptist community where one size fit all. That's not what drew me to the Amish. Maybe it's what I've salvaged from growing up in the Philippines. By American standards we were poor in material goods but when I take away the subjective feelings of not fitting in (I didn't fit in back then either) the childhood memories shine with what today I perceive as lost down-to-earth simplicity.

In the 80s I drove around studying the alternative spiritualities that the American tenet of freedom allowed to sprout in tiny, unobtrusive pockets around the country. I discovered yoga and Buddhist meditation. On a trip to Yellow Springs in Ohio to attend a weekend vipassana retreat I met several people who influenced the lifestyle I was shaping. Paul, a psychologist at the Dayton VA, introduced me to the Buddhist center in Barre, Massachusetts where Buddhist practice became established. Buddhism drew me for being an Asian tradition of spirituality but like my attraction to the Amish and the early Christian desert hermits a more powerful draw was the aesthetics of simplicity and of "fewness of desires."

When I undertook a protracted sabbatical last year I was motivated by several factors. Among others I wanted to simplify my life in both its material and process aspects. Instead of chasing after material aggrandizement I wanted to deepen my inner life. How well have I succeeded? Not as well as I wanted. But I am recognizing that life is not so much about reaching the other shore as living each day as it comes. Goals provide us with set patterns when fate does not provide the surprises that energize and renew our spirits. Goals are default behaviors. More vital to a life of inner richness is the openness to what lies beyond goals and desires. To walk through life minimally encumbered with expectations: this is a more genuine simplicity.

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Friday, August 28, 2009

Gourmet Asian Restaurants in Indianapolis: Thai Taste

See the full gallery on posterous

Last night, our Thai friend, Usana, invited us to the Thursday night buffet at Thai Taste on the city's north side. My Chinese friends, Allen and Helen, had been urging me to check this out for many years but last night was the first time I went. I'd been too attached to Chinese food when I do go out to eat.
 
As it happened, Allen and Helen, were there, too, last night. They asked me where I'd been. They had not seen me at the usual restaurant haunts where we often meet. We're Asian buffet aficionados. They told me that the Saturday lunch buffet at The Journey is the place to go on Saturday, better than the dim sum buffet at 8 China Buffet. For Sunday lunch, they go to Mandarin House in Carmel.
 
The spread at Thai Taste was okay and most of the tables were occupied by six o'clock. Service was excellent. I do love Thai food but compared to Chinese food it tends to be a tad more expensive. Not as expensive though as Japanese food which is probably the top of the heap in terms of price, especially Japanese steak houses.
 
Outside the restaurant after the meal, I met a friendly Caucasian guy. The front of his white tee shirt was splattered with chili sauce for which he kept apologizing. He told us he discovered Asian foods when he lived in California years ago. There he had a Vietnamese friend who introduced him to Asian cooking. Thai Taste was his favorite but he also loved Korean food. For Korean he went to a restaurant (Ma Ma's Korean or Bando) on Pendleton Pike and E. Miracle on Allisonville Road.
 
The evening reminded me there is a small group of local people into East Asian food. Our party consisted of three Filipinos, a Thai and a Japanese. Yoichi loved the food. When eM invited him to join us, he was incredulous. He hadn't known there was good Thai food in Indianapolis. He was going to Golden Corral for dinner on the nights he didn't want to cook after work.
 
Maybe I should a food blog since food obviously is high on my value list. I can easily add a food blog to my new Duende Arts site. iMovie does not allow me to group the blogs together into an album page as it does photograph pages. I am still looking for how I can put my text products into the site.

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Thursday, August 27, 2009

Images and words together may help us pin down memory

For years I have wanted to write what I remember about this challenging, rich, ever-changing panorama that I call life. Only a handful of novels and nonfiction books on life in the Philippines is available even today. The near vacuum begs for more content!

At our last visit to my parents' old hometown in Iloilo in 2007, my younger sister's daughter scanned photographs from the old family albums and gave us a CD copy of the images. I made my own copies using my Canon camera which are what you'll see when you visit the Family Photos page on the Duende Arts website (still hidden behind the current website).

As we grow older, more of our life appears in the past than in the unforeseeable future but I've had this idea for writing about life in the Philippines as I was growing up for at least two decades now. I remember the heartache I felt when I put together my first photo album in the early 80s. Here were pictures of places and people that no longer figured in my life. I was struck by the ephemeral nature of life. Without looking back, we get the feeling we are going to new places and creating new patterns. Going back we see the handful of themes that repeat like a looping filmstrip. The scenery changes, the characters change, but the energies stay remarkably unchanged. The life we live feels to me so much more fantastic than any fiction work can be!

The first pages of that album comprised photos that I took o f those last days in the Philippines in 1975. I bought a camera to document the upcoming adventure in the New World. I came to America to reinvent myself. I was not concerned about holding on to images of the past. I blamed these for my discontent with life. I was going to push beyond the known into the truly new.

In America, I took candid shots because everyone took pictures. I had no grand plan to use images to redefine personal growth. I discovered the world of photography when I bought my first SLR camera, a Minolta. The Minolta showed me that photographs did not just document memories but hint at something I'd like to think goes beyond the ephemera of our unstudied lives. 

As young adults we approach life purposefully. We are schooled to believe we map where we are going. Six decades into a life I find purpose comically wanting.  When we dig beneath the skin, we are not very different from each other. Perceptions, like clothing, lifestyle, and occupation, mask the underlying sameness with which we all must struggle to make sense of ourselves, and the lives we can live. In the sameness I believe lurks something awesome and grand that we might touch with well-considered words and images. With purpose we can only see so much. What is the world like beyond the designs of purpose and memory? Here is the stuff of creation, of marvelous tales and breath-pausing images.

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Wednesday, August 26, 2009

Tarragon in Later Summer Dishes

As summer comes to a close, my herb garden on the deck facing the lake morphs into everything I shall miss when the season ends. Tarragon, I discovered today, is wonderful in salads. I didn't even tear the leaves up so when a leaf is included in the mouthful the flavor and aroma stands out, pure gustatory sensation flooding the tongue and mouth.
 
Cauliflower is also underrated but its texture is priceless especially when simply stewed with fresh tomatoes and herbs and a few drops of extra virgin olive oil.

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Tuesday, August 25, 2009

Blueberry Rice

I have not done much cooking at home this past month. Quality Improvement applied to lifestyles is ongoing as it is in the corporate world. Unlike the Obama administration on the abusive interrogation techniques used on terrorism suspects I must move on. Dukkha (in Buddhist practice, what we feel when we don't have something we want or have something we don't want) eggs us to make karmic changes in how we live our lives.
 
Last night's supper resulted in discovering how blueberries can add not only color but flavor to rice. The inspiration came from a book on Spanish foods featuring a simple recipe for rice cooked with fresh tomatoes and herbs. No sauces, just veggies sautéed in the lightest film of olive oil and cooked rice added to the pan. It's a gentler version of Chinese fried rice, the flavors at once fresher and more refreshing.

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Rethinking model photography in light of the forthcoming new website, and Apple's Snow Leopard upgrade

I have been reviewing my model shoots to see what photo images fit my idea of what to post in the new website. This time I am not going to post all the photos from the shoots that I have processed. The new Duende Arts website will have a specific objective: to post products to begin to move into a money-earning phase of the business of photography, videos and writing.
 
Even more than I felt before I started this review I find myself wanting to hone my image processing skills. The images are considerably better in terms of color correction than the images I have on my current website but now I need to work on making these images of striking quality.
 
As I contemplate reviewing Photoshop techniques for image-processing, I am reminded how I need to work on lighting and exposure techniques again. I also need to resume working on videos while dipping my foot in FCP again.
 
Meanwhile Apple has announced its new system upgrade, Snow Leopard, from Leopard. The slight change in name might reflect Apple's acknowledgement that this upgrade does not bring about major changes in the OS although full support for 64 bit should, once implemented by software developers, make for a significant increase in processing speed for those of us with multi-core computers.
 
I especially look forward to integration with Microsoft's core software so that using Apple's iCal and Address Book I automatically access the comparable data in my Microsoft business software. Apple takes an important step in making Apple software more attractive to business and corporate users!
 
But where's the Blu-Ray support?

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Friday, August 21, 2009

The new Duende Arts website takes shape

This is, so far, how the front page of the new Duende Arts website looks. I want a more modern look to the site. Black is elegant but I want change. I still want simple but not too simple, and not the elegant look many art photographers have on their site. I like a straightforward, simple look. I have learned from launching that first iWeb-created site. Less information, more white space, ease of use, presenting just the information I want visitors to have.

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Thursday, August 20, 2009

Greg Redux Reviewing Images from the Shoot with Greg and Jaz

I have been looking at the images I shot of Greg and his girlfriend, Jaz. Since completing the shoot is unlikely now I have decided to process the shoot as I would have done had we finished it. I am pleasantly surprised at how many good shots we were able to take in the uncompleted shoot. This is one of my favorites, with an element of unintended humor. I hope Greg goes farther with his modeling ambition. If he can get over some of his natural qualms he has the potential.
 
You can view the set so far posted here: http://www.flickr.com/photos/karuna71/3840568992/in/set-72157618679412656/

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Wednesday, August 19, 2009

Change Is Due in My Imaging Activities and Interest

I have not done a model shoot since May when I shot Greg and his girlfriend, Jazmine. He was going to come back and finish the shoot but the shoot was never completed. I have not processed most of the shoot because I was waiting for it to be completed so I could view the shoot as a whole. That is not likely to happen now so little by little I am processing the images from the shoot.

I still think I am not ready to offer photography and video services to the public. I am not happy with the level of expertise that I have acquired from exploring digital imagery the last two years. I think I have come some ways. Certainly, just being able to shoot live models was a major break for me. I still think of the end of 2012 as my business launch year. Meanwhile there is a lot for me to learn. However I have a feeling I'll be making major changes in my work activities by early 2009. I have started working with videos and I love videos even more today than I did when I took that first certification seminar on FCP. 

At lunch yesterday I perused the latest issue of Details. A dozen or more pages came inside the cover before any editorial page appeared. I was not impressed so much with the fashion photographs as I was with how the images were shot and displayed. I came home and started to process some model images, including this from the Greg shoot.

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Tuesday, August 18, 2009

Our Changing Takes on Maleness and Male Friendships

In the September issue of Details, magazine editor, Daniel Perez, writes about overhearing a guy buying "skinny jeans" as Perez, too, was doing but asking his buddy, "Dude, do these make me look gay?"

Gay has definitely become more commonplace in our vocabulary. If homosexuality is still deemed a sin by the conservative majority, gayness (especially lesbianism) has become equated with cool. Straight guys have even adopted gay mannerisms and straight male lifestyle has slowly feminized as feminine values have grown in stature in the larger community, especially among the hip young.

Last night I watched John Hamburg's I Love You, Man, a comedic treatment of this change in how we view masculinity. There was Will and Grace in 1998, then Queer Eye for the Straight Guy in 2003, then the Judd Apatow phenomenon starting with The 40 Year Old Virgin in 2005. I love You, Man stars two from Apatow's stable, Paul Rudd and Jason Segel (seen together, too, in Forgetting Sarah Marshall). Rudd plays Peter Klaven about whom his new fiancée confides to her three BFFs that she was worried because he had no male best friend. One friend warns her he could become too controlling or too dependent on her if he has no male friend with whom to spend time and energy away from her. Peter shocked consults his younger brother, a gay man, about the fine details of finding a best friend. He was startlingly dismayed at his attempts until Segel, playing Sydney, walks into his open house to sell Lou Ferrigno's Hollywood palace. The two hit it off to the point that Peter's fiancée, Zooey (played by Rashida Jones) becomes jealous. At a Rush concert, the two guys are so caught up in the music and their male bonding that Zooey felt ignored.

The movie is not without a flaw. Some of the acting appears too pat, too (I hate to say it) stereotypical but the behavior of the two new-found friends is not only hilarious but reminiscent of the playfulness that boys have with each other until hormones and sex enter the picture and peer approval controls how they express their affection for their buddies. I think the "new male comedy" invented by Apatow is just right on, including (and maybe, for me, especially) the crude sexuality of the jokes is refreshing. A viewer described the movie as "smarter than most." Comedy often tends to make us like fools again but sometimes under the ribald tomfoolery is a basic and profound wisdom about how societal pendulums swing from side to side, hopefully in time describing a full circle.

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